Critical Discernment of Quality in Singing: An Approach to Encouraging Self-regulated Singers through Peer Assessment

Authors

  • Lotte Latukefu University of Wollongong

Abstract

In 2008, as part of the ongoing development of a learning model for singing using sociocultural theories, peer assessment was introduced into the singing component of a tertiary level, undergraduate, creative arts performance course. The purpose of this exercise was to encourage students to become self-regulated learners capable of continuing with their learning after graduation. Falchikov (2007) has argued that peer involvement in assessment has the potential to encourage learning and develop assessment skills that will last a lifetime. The project investigated what effect changing the role of the actor/singer in an assessment has on the group and also the individual development of graduate qualities such as critical thinking and responsibility. It also looked at what process was involved in order to integrate peer assessment into the subject and what kind of support was needed to achieve this. The research found the main benefit that the students perceived from the exercise was that it helped them to reflect on their own practice by having to make the effort to interact with the criteria given in order to properly assess a peer. The added responsibility of having to assess other students encouraged them to interact more carefully with the descriptors of quality so that “discernment of quality becomes a key aspect of learning (Sadler, 2008, p.18).”

Author Biography

Lotte Latukefu, University of Wollongong

LOTTE LATUKEFU is Lecturer in voice in the School of Music and Drama at the University of Wollongong. She has performed at the Lincoln Centre in New York, Opera Australia, State Opera of South Australia, as well as appearing with the Western Australian Symphony Orchestra and in many Australian music festivals. Lotte regularly premieres new works by Australian composers the most recent being at the 16th annual electro- acoustic music festival in Florida, USA and the 2008 Aurora Contemporary Music festival held in Sydney. Lotte’s research interest is in sociocultural theory and its application to vocal pedagogy. A research associate named in an ARC discovery grant investigating microtonal tuning, Lotte is on the board of the Australian Voice Association and a member of ANATS.

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Published

2013-10-29