Table of Contents
Articles
| How Can the Jazz Singer Improvise Through Vocalecosystems? | |
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Jeri Brown |
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| Singing and Song: A Biophysical and Evolutionary Perspective | |
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Dianne Cameron |
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| Engaging with Songs: Transforming Singing in the Singapore Music Classroom | |
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Rebecca Chew, Hui-Ping Ho, Siew-Ling Chua |
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| How do we frame singing education and culture? | |
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Sara Clethero |
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| Removing Barriers from Choral Singing | |
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Rita Ferrer Miquel, Ivet Farres i Cullell, Joan de la Creu Godoy Tomàs, Anna Ribera Gironell |
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| Determining and Enhancing the Competencies of the School-Based Choir Conductor through a Capability Building Program | |
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Gilbert Allan Dispo |
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| Tant que durera l’automne”: Text-music relationships in Correspondances by Henri Dutilleux | |
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Troy Ducharme |
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| Norwegian Stev Text and Tune Relationships: Millennium-old Vocal Tradition as Accentual Poetry | |
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Jacqueline Ekgren |
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| A Content Analysis of ACDA National Conference Interest Sessions: 1960 – 2013 | |
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Donna T. Ferretti, Marvin E. Latimer Jr. |
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| All those words! Accounting for singers’ memory | |
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Joel Katz |
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| Interpreting folk humour and wisdom, Estonian style: Lepo Sumera's vocal cycle as a window to the language and tradition | |
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Dina Lentsner, Saale Konsap |
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| Dosimeter Sound Level Measurements in Practice Rooms | |
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Alan J. Martin |
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| The Effects of Singer Head Position on Listener Preferences and Perceptions of Vocal Timbre | |
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Amelia A. Rollings |
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| Off the Beaten Path: Undiscovered gems from the Choral Public Domain Library | |
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Vaughn Roste |
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| Voice shame: Self-censorship in vocal performance | |
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Tiri Bergesen Schei, Edvin Schei |
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