Table of Contents
Introduction
These Living Hands: An Introduction to At the Edge | Article Untitled () |
Jennifer Lokash |
1-20 |
Articles
Class, Suffering, and Sensibility in Godwin's Caleb Williams | Article |
Bryan Grace |
21-40 |
Cry Like You Mean It: Sensibility and Class in William Wordsworths Sonnet on Seeing Miss Helen Maria Williams Weep at a Tale of Distress | Article |
Janice Morgan |
41-61 |
You Have Bewitched Me Body and Soul: Masculinity and the Female Gaze in Jane Austens Pride and Prejudice | Article |
Meaghan Malone |
62-91 |
All Text and No Image Makes Blake a Dull Artist: Inseparable Interplay Between Poetry and Picture in Blake's Multimedia Art | Article |
Peter Heath |
92-114 |
Sensuous Embodiment in The Eve of St. Agnes | Article |
Kathie Housser |
115-36 |
Body Work: The Representation of Labouring Bodies in John Keatss Isabella; or, the Pot of Basil | Article |
Maggie Hyslop |
137-57 |
The Arctic and Other Spaces in Mary Shelleys Frankenstein | Article |
Jacob Bachinger |
158-74 |
An Excess of the Deficient: Attempts to Normalize the Body of Frankensteins hideous progeny | Article |
Alice Dickinson |
175-96 |

This work is licensed under a Creative Commons Attribution 3.0 License.
ISSN: 1923-4996