Vol 6 (2007)

International Symposium VI

Table of Contents

Introduction

A Word from the Dean of Education, Memorial University of Newfoundland PDF
Alice Collins

ii

A Word from the Symposium Co-Chairs PDF
Andrea Rose, Ki Adams

iii

Articles

Global Perspectives on the Art of Choral Music PDF
Patricia Abbott

1-6

Hold My Hand and Listen: Nurturing Choral Community as Musicianship PDF
Adam Adler

7-21

Here I Am to Worship: Conflicting Authenticities in Contemporary Christian Congregational Singing PDF
Gordon Adnams

22-29

Teaching through Composition: The Choral Music of alcides lanza PDF
Nicholle Andrews

30-34

A Song for Every Cow She Milked..." Sharing the Work and Sharing the Voices in Gaeldom PDF
Margaret Bennett

35-47

A Children and Parents Choir in a Francophone Minority Setting: Singing and Belonging PDF


48-55

Voices United: The Contributions of Eleanor Mews Jerrett to Choral Singing in Newfoundland PDF
Glenn D. Colton

56-65

What Happens to the Words? Choristers and Audience Members Perceptions of Texted Choral Music PDF
James F. Daugherty

66-83

Music, Subjects, Creativity PDF
Emma Ruiz Martin del Campo

84-97

Multisensory Choral Music Past, Present, and Future Trends PDF
Mark Doerries

91-97

Characteristics of Successful Inner-city Music Teachers: A Pilot Study at the Choir Academy of Chicago PDF
Mary Lynn Doherty

98-107

Finding a Voice: Why Boys (Dont) Sing PDF
, Carol Benyon

108-123

Merging Perspectives: The Open-ended Nature of Brittens Parable Art and the Cantata Misericordium Op. 69 PDF
Dean Jobin-Bevans

124-130

Music, the Voice of Memory: An Exploratory Approach PDF
Norman King, Jane Ripley

131-140

The Legacy of John W. Large PDF
Barbara Lewis, Paul Mortenson

141-151

Examining Teachers Attitudes towards the Use of Popular Music in Formal Music Education PDF
Sarah Morrison

152-161