at the EDGE
Table of Contents
Introduction
| These Living Hands: An Introduction to At the Edge | Article Untitled () |
|
Jennifer Lokash |
1-20 |
Articles
| Class, Suffering, and Sensibility in Godwin's Caleb Williams | Article |
|
Bryan Grace |
21-40 |
| Cry Like You Mean It: Sensibility and Class in William Wordsworth’s “Sonnet on Seeing Miss Helen Maria Williams Weep at a Tale of Distress” | Article |
|
Janice Morgan |
41-61 |
| “You Have Bewitched Me Body and Soul”: Masculinity and the Female Gaze in Jane Austen’s Pride and Prejudice | Article |
|
Meaghan Malone |
62-91 |
| All Text and No Image Makes Blake a Dull Artist: Inseparable Interplay Between Poetry and Picture in Blake's Multimedia Art | Article |
|
Peter Heath |
92-114 |
| Sensuous Embodiment in The Eve of St. Agnes | Article |
|
Kathie Housser |
115-36 |
| Body Work: The Representation of Labouring Bodies in John Keats’s Isabella; or, the Pot of Basil | Article |
|
Maggie Hyslop |
137-57 |
| The Arctic and “Other Spaces” in Mary Shelley’s Frankenstein | Article |
|
Jacob Bachinger |
158-74 |
| An Excess of the Deficient: Attempts to Normalize the Body of Frankenstein’s “hideous progeny” | Article |
|
Alice Dickinson |
175-96 |
This work is licensed under a Creative Commons Attribution 3.0 License.
ISSN: 1923-4996